A Fabulous Creation: How the LP Saved Our Lives




      A Fabulous Creation: How the LP Saved Our Lives
_________ Hepworth s knowledge and understanding of rock history is prodigious a hugely entertaining study of the LP s golden age The Times_________The era of the LP began in 1967, with Sgt Pepper The Beatles didn t just collect together a bunch of songs, they Made An Album Henceforth, everybody else wanted to Make An Album.The end came only fifteen years later, coinciding with the release of Michael Jackson s Thriller By then the Walkman had taken music out of the home and into the streets and the record business had begun trying to reverse engineer the creative process in order to make big money Nobody would play music or listen to it in quite the same way ever again.It was a short but transformative time Musicians became artists and we, the people, patrons of the arts The LP itself had been a mark of sophistication, a measure of wealth, an instrument of education, a poster saying things you dare not say yourself, a means of attracting the opposite sex, and, for many, the single most desirable object in their lives.This is the story of that time it takes us from recording studios where musicians were doing things that had never been done before to the sparsely furnished apartments where their efforts would be received like visitations from a higher power This is the story of how LPs saved our lives. New Download [ A Fabulous Creation: How the LP Saved Our Lives ] Author [ David Hepworth ] For Kindle ePUB or eBook – heartforum.co.uk

David Hepworth is a music journalist, writer, and publishing industry analyst who has launched several successful British magazines, including Smash Hits, Q, Mojo and The Word, among many others He presented the definitive BBC rock music program Whistle Test and anchored the BBC s coverage of Live Aid in 1985 He has won the Editor of the Year and Writer of the Year awards from the Professional Publishers Association and the Mark Boxer Award from the British Society of Magazine Editors He is the radio columnist for the Saturday Guardian and a regular media correspondent for the newspaper.


      A Fabulous Creation: How the LP Saved Our Lives
 By David Hepworth IBN : 1473541778 Format : ebook – heartforum.co.uk
  • ebook
  • A Fabulous Creation: How the LP Saved Our Lives
  • David Hepworth
  • 03 July 2018
  • 1473541778

10 thoughts on “ A Fabulous Creation: How the LP Saved Our Lives

  1. Mat Davies says:

    Over the past couple of years, David Hepworth has been cementing his already considerable reputation as a pop music writer and commentator with books that leave you feeling simultaneously inadequate yet brilliantly cleverer for having been in the close proximity of his world This latest book is as much a social history of how our consumption of music has changed thanks to technology and innovation sometimes outside the music busin...

  2. Catie says:

    Oh No I may be growing tired of David Hepworth.I usually really enjoy his writing, I quite often don t agree with him but that leads to a rather pleasant argument with him in my own head where he can t talk back.But this one disappointed me somewhat He does talk a lot of bollocks of course, and is over fond of a sweeping statement I know that I m not part of his target audience I m a bit younger and alsoimportantly female Although I was there, I m not part of the gang he conjures, Oh No I may be growing tired of David He...

  3. Simon Reid says:

    In recent years David Hepworth has been pumping out excellent books on classic rock pop in short order this, his fourth, may be the best yet.Here he charts the rise and fall of the long playing pop record as an artistic statement and a cultural force, submitting that the glory years were 1967 1982 Before then, an album was a bunch of songs Afterward, he supposes, technology fragmented the medium and distracted us from it forty minutes of ...

  4. Ross Cumming says:

    I have always enjoyed David Hepworth s writing, whether it be his music journalism for various publications orrecently the music based books that he has written and this one s no exception Hepworth serves up a history of the rock pop long playing record, from the Beatles 1967 release, Sgt Pepper s Lonely Hearts Club Band through to Micheal Jackson s Thriller, in 1982 He picks Sgt Pepper as his starting point, as basically this was, in his opinion, the first proper album which didn t just I have always enjoyed David Hepworth s writing, whether it be his music journalism for various publications orrecently the music based books that he has written and this one s no exception Hepworth serves up a history of the rock pop long playing record, from the Beatles 1967 release, Sgt Pepper s Lonely Hearts Club Band through to Micheal Jackson s Thriller, in 1982 He picks Sgt Pepper as his starting point, as basically this was, in his opinion, the first proper album which di...

  5. Terje says:

    David Hepworth er en fenomenal forfatter Tematikken er alltid pop og rock gjennom de siste 50 60 rene I den siste boken tar han for seg LP platens historie Selv om forfatteren er 18 r eldre enn meg, kan jeg sterkt relatere meg til det han skriver om Hvordan jeg som ten ring med en nyervervet platespiller lyttet til musikk p en helt annen m te Med platecover og tekstark fikk jeg et veldig n rt forhold til artistene og musikken A Fabulous Creation vier ett kapittel til rene fra 1967 David Hepworth er en fenomenal forfatter Tematikken er alltid pop og rock gjennom de siste 50 60 rene I den siste boken tar han for seg LP platens historie Selv om forfatteren er 18 r eldre enn meg, kan jeg sterkt relatere meg til det han skriver om Hvordan jeg som ten ring med en nyervervet platespiller lyttet til musikk p en helt annen m te Med platecover og tekstark fikk jeg et veldig n rt forhold til artistene og musikken A Fabulous Creation vier ett kapittel til rene fra 1967 til 1982, rene forfatteren regner som LP platens storhetstid, med Sgt Pepper s Lonely Heart Clubs Band og Thriller som ytterpunktene LPene var noe mer enn en samling l ter LPene formidlet en helhet Fallet begynte da Sony lanserte sin walkman tidlig p 80 tallet LPene tapte ogs terreng da CDen ble lansert kun f r etterp og var langt p bak d d og begravet da streamingen entret arenaen Men alle disse nyvinningene har gjort musikken mer upersonlig Dette er en utvikling som David Hepworth skildrer med innsikt, varme ...

  6. Jayne Lamb says:

    Even though I m a Gen Xer and LPs were already in their dying years when I was a teen, I still get the melancholy feel of this book but it s a pleasant nostalgia, not a whinge.

  7. Jane Griffiths says:

    And now for something completely differentThe LP The album, as It was hipper to call them The golden age, when you walked around with one under your arm, because th e cover would be instantly recognisable to those who mattered, and would mark you out as who you were In the smallish town I spent my formative years in, I walked around for days with Family s Music from a Dolls House under my arm I got a boyfriend because of it I ve still got that album Albums were precious, and the And now for something completely differentThe LP The album, as It was hipper to call them The golden age, when you walked around with one under your arm, because th e cover would be instantly recognisable to those who mattered, and would mark you out as who you were In the smallish town I spent my formative years in, I walked around for days with Family s Music from a Dolls House under my arm I got a boyfriend because of it I ve still got that album Albums were precious, and the experience...

  8. Lee Wellbrook says:

    Ive been a fan of David Hepworths writing for many years and his Schrodinger like approach to music holding both the option that music is hugely important and life affirming and that music is, well, only music at one and the same time has huge appeal I may disagree with many of his opinions Black Sabbath Good grief but they are always well argued and extremely articulate.Enjoyed this latest book immensely and it has made me not only re visit my LP collection yes, I still have some but I ve been a fan of David Hepworth s writing for many years and his Schrodinger like approach to music holding b...

  9. Jim Parker says:

    This is the third book of Hepworths Ive read Each draws on his long career as a music writer and each serves as an affectionate elegy for the rocknroll era and with it the twilight of the baby boom, of which I am a late entry Like the 1971 book and the Pop Stars collection, Hepworth uses the modern history of the long playing record which he traces from Sergeant Pepper in 1967 to Thriller in 1983 to essentially link together a series of anecdotes around historical landmarks like the shift This is the third book of Hepworth s I ve read Each draws on his long career as a music writer and each serves as an affectionate elegy for the rock n roll era and with it the twilight of the baby boom, of which I am a late entry Like the 1971 book and the Pop Stars collection, Hepworth uses the modern history of the long playing record which he traces from Sergeant Pepper in 1967 to Thriller in 1983 to essentially link together a series of anecdotes around historical landmarks like the shift from analog to digital recording or the evolution of the live album.He deftly captures the romance and long lost joy of buying a new record, taking it home for the first time, taking the disc out of the sleeve and listening to it all the way through while devouring every inch of the cover art The contrast with the casual ubiquity and...

  10. David Evans says:

    I wish I could have had this book given to me in about 1968 so that I would have spent less time listening to the wrong music and buying the wrong records However I only had about 15 20 LPs and later any number of cassettes that I listened to in hard rotation and spent fartime riffling through the racks at Our Price Records than was good for me Actually spending money on an album was agonising you had invested so much in the purchase the thought that it may not be any good after all I wish I could have had this book given to me in about 1968 so that I would have spent less time listening to the wrong music and buying the wrong records However I only had about 15 20 LPs and later any number of cassettes that I listened to in hard rotation and spent fartime riffling through the racks at Our Price Records than was good for me Actually spending money on an album was agonising you had invested so much in the purchase the thought that it may not be any good after all was almost unbearable Now I can just ask Alexa to play any track off any album ever just be talking in my normal voice But this isn t the same as studying an album sleeve minutely and going through the ritual of sliding the record out of the inner sleeve without touching the vinyl except with the flats of the palms on the very edge I still love the kudunck of the scratch on my pressing of David Bowie s Changes from Hunky Dory and I thought the scratch on Edward H Davies Hen Ffordd Cymraeg O Fyw was a...

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