Der Steppenwolf

Der Steppenwolf➶ Der Steppenwolf Free ➬ Author Hermann Hesse – Steppenwolf is a poetical self portrait of a man who felt himself to be half human and half wolf This Faust like and magical story is evidence of Hesse's searching philosophy and extraordinary sense o Steppenwolf is a poetical self portrait of a man who felt himself to be half human and half wolf This Faust like and magical story is evidence of Hesse's searching philosophy and extraordinary sense of humanity as he tells of the humanization of a middle aged misanthrope Yet his novel can also be seen as a plea for rigorous self examination and an indictment of the intellectual hypocrisy of the period As Hesse himself remarked Of all my books Steppenwolf is the one that was often and violently misunderstood than any of the others.

Hermann Hesse was a German Swiss poet novelist and painter In he received the Nobel Prize for Literature His best known works include Steppenwolf Siddhartha and The Glass Bead Game also known as Magister Ludi which explore an individual's search for spirituality outside societyIn his time Hesse was a popular and influential author in the German speaking world; worldwide fame only c.

Der Steppenwolf PDF/EPUB Ä Paperback
  • Paperback
  • 256 pages
  • Der Steppenwolf
  • Hermann Hesse
  • English
  • 09 May 2015
  • 9780140282580

10 thoughts on “Der Steppenwolf

  1. Rajat Ubhaykar says:

    I read this book on a twenty four hour train journey surrounded by the bourgeois It was a terrifying experience The book didn't change my life and was not meant to but it gave me hope and hope is always a good thing The influence of Indian spirituality on this book is apparent but Hesse chooses to dissect it using the prism of Western pessimism He talks about the multiplicity of the self and the infinite potential associated with it how we often choose to attach fanciful restrictions to the limitless and that every man can have his place among the Immortals The influence of unfulfilled desires in the making of the personality and its inherent disorders and the possibility of conuering those to mould a 'new' self are also prominent themes which again run parallel to the Indian concept of rebirth The book has layers far too many Each time I indulge in a flight of introspection much like Harry Haller or so I would or wouldn't like to believe I stumble upon a different and eually vague interpretation of the book This book is great literature It is magnificently vague and by turns sincerely hopeless and insincerely hopeful but eventually redeems itself by offering hope for the hopeless

  2. Sean Barrs says:

    Hermann Hesse’s words are timeless Here they represent an entire disaffected generation a generation who is on the cusp of radical change but still partly exists in the old world They are out of space and out of time they are lost within themselves However such things can aptly be applied to a number of individuals across the ages And for me this is what made the novel so great Through these pages Hesse evokes a character I have seen many times before across literature but never before with such clarity Harry Haller is one such man His intellect is undoubtedly worthy of genius though such a thing is wasted because he has no proper channel for such intellect He has lost his faith in humanity and has completely withdrawn from the world so he makes his own world he has created his own ideal environment within his thoughts His loneliness is that extreme he has written an idealised account of his life that never happened He wants hope so he creates it himself in the form of a counterpart a soul mate Hermione She gives him back everything he has lost his confidence his hope and his sexual energy He has passion or life once And this is why the novel is so terribly sad None of this is actually happening; it is the desperate ramblings of a mind trying to heal itself in a world where it can find no sense of belonging or purpose This imagined woman becomes a lifeline a beacon in the middle of the dark shores of modernisation Like Andre Bretton’s Nadja the idealised female becomes a means of escape for the lost modern man As per the surrealist mode reality is warped in an attempt to find some higher truth Her presence is the only thing preventing Harry from killing himself and surrendering to the endless sleepFor Harry is a man split in two he is the Steppenwolf “There is no reality except the one contained within us That is why so many people live such an unreal life They take the images outside of them for reality and never allow the world within to assert itself” He believes himself to be half man and half wolf He has all the sensibilities of a normal man but overshadowing his character is the romantic longings of a wild creature In such a modern world his desires and natural drives are unfulfilled; they are repressed and controlled resulting in severe depression and low mood He cannot be who he was meant to be because the space he exists in does not allow it The time the age does not allow it So he is trapped and he so desperately needs a root out That much so he makes one up for himself out of words The switch between reality and imagination is extremely hard to notice within the narrative It happens very early on and there are many different layers of storytelling The story we are hearing is actually a journal penned by Steppenwolf and read by the hotel manager Although the narrative does raise uestions many really it is not until the end of the novel that the ripples of doubt are confirmed as delusional confirmations Perception is everything here perception of the self and of the world Although such complex imagining may sound detrimental to mental health they take on the form of a coping strategy for such a lost individual Although Steppenwolf is a middle aged misanthrope I don’t hesitate to say that this book will resonate within the bosom of many a reader Particularly the young and the dispossessed will relate to his tale I know I do in part It is easy to become lost in life and it is easy to feel alone in a world that you don’t relate to But unlike Hesse’s Siddhartha this novel does not attempt to evoke an inner sense of peace and tranuillity as an effort to solve such problems that life throws at us A resolution would have been unnecessary here because that is not what Hesse is trying to show us Instead with Steppenwolf we receive a vision of a man who has wasted his life in self pity and self induced isolation Is this a projection of the author’s feelings? I don’t think we can actually say for sure but one thing remains absolutely certain Steppenwolf is a life lesson for those who do not want to receive the same fateFacebook| Twitter| Insta| Academia

  3. Lyn says:

    Kurt Vonnegut one of my literary heroes said of Hermann Hesse’s novel Steppenwolf that is was “the most profound book about homesickness ever written” Vonnegut also went on to describe how Hesse speaks to young readers how he speaks to the essence of youth and offers hopeLike many readers I first encountered Hesse as a young person for me it was when I was in high school Hesse’s illustration of isolation and being misunderstood spoke to me as a youth as I imagine it has for many young peopleHesse said “Of all my books Steppenwolf is the one that was often and violently misunderstood than any other” Of course the book was written about a man as he turns 50 not a youthBut I think I can understand why this also speaks to young readers What Hesse describes and his use of the lone wolf of the steppe as a symbol is brilliant is about a time when an individual finds himself alone and in transition – as in a mature man who approaches old age or as a young person leaving behind the securities of childhood for the uncertainties of adult lifeSimilar to Hesse’s earlier novel Siddhartha 1922 in Steppenwolf 1927 the protagonist experiences a dynamic journey through self discovery and spiritual exploration Also reminiscent of the earlier work Steppenwolf reveals a cathartic summation after a romantic interludeHesse also demonstrates how man is than a single entity even than the obvious duality – as suggested by Haller’s belief that he is half man and half wolf – but the combination of tens hundreds or even thousands of souls This confirmation of Eastern thought is ubiuitous in Hesse’s work and shows a kinship to JungComplicated multi faceted and sometimes difficult to follow Hesse presents an important contribution to 20th century literature

  4. Paquita Maria Sanchez says:

    This novel1 Initially reminded me very much of my own mental imbalances2 Started to make me feel like I'd been had and that it was in fact just pretentious overly self aware me me me wackoff shite3 Redeemed itself AND THE NARRATOR in the end with its exploration of drug induced Jungian dreamscapes and subconscious mental states4 Successfully summoned that strange emotion that I like to call happysad 5 Did not change my life forever but did act like aloe on a sunburn for my general mood and mindset at the time that I was reading it6 Has garnered 4 stars and would be one that I would recommend to a friend especially in place of anything by Richard Bach or Carlos Castaneda

  5. J.L. Sutton says:

    “What could I say to you that would be of value except that perhaps you seek too much that as a result of your seeking you cannot find”Having read several other novels by Hesse Siddharta Demian Narcissus Goldmund and Knulp the theme of a protagonist intellectually or culturally isolated from the rest of society is familiar However in Steppenwolf the depths of our protagonist’s Harry’s despair separates him from other of Hesse’s protagonists and from humanity His life isn’t confirmed as valid or authentic Harry doesn’t see himself as fully human Instead he sees himself as half human and half wolf Steppenwolf He is ready to uit life but is convinced that there is to life than the way he’d been living or not really living it In order to make this journey to a fulfilling life however Harry must be willing to sacrifice the way he’d previously seen himself and engage with life in a way he’d never done Harry’s wild and interesting journey of self discovery is tied to Hermine As he regains a passion for life she shows him that there is always hope I’ll let others decide whether the ending affirms or contradicts this

  6. Glenn Russell says:

    Many literary novels are page turners filled with a compelling straightforward storyline and lots of action; think of Our Mutual Friend and Crime and Punishment think of Heart of Darkness and No Country for Old Men or novels like The Girl with the Dragon Tattoo or The Spy Who Came in from the Cold Hermann Hesse's novel Steppenwolf is a work of a completely different cast; a reader might find the story gripping even riveting but for much different reasons for the action takes place not in a major city or obscure outpost but primarily in the mindOur first introduction to main character Harry Haller is through the eyes of the thirty something middle class nephew of Haller's landlady The nephew observes how Haller lives a lonely unsocial life and refers to himself as an old Steppenwolf The nephew's curiosity prompts him to enter Harry's room where he discovers stacks of books by authors such as Goethe Jean Paul and Dostoevsky; a statue of the Buddha; a photo of Gandhi; empty brandy bottles; and half smoked cigars In a word living uarters bespeaking a chaotic artistic lifestyleThe nephew explains how Harry suddenly vanishes from the apartment leaving a manuscript entitled HARRY HALLER'S RECORDS that warns potential readers that what follows is FOR MADMEN ONLY It is this record that comprises the remainder of the novel Harry records how he has two natures in conflict one as a reflective refined cultivated gentleman and the other a wild wolf of the steppes As such he is a Steppenwolf a despiser and destroyer of the middle class who is at the same time supported and comforted by the middle class Harry's conflict causes him to become so depressed that he sets his fiftieth birthday as the date for taking his own lifeBut life has other plans for Harry the Steppenwolf We read how Harry encounters a dreamlike inscription over a door in the old section of town Then the fun begins Harry's identity and view of reality are challenged by a series of happenings most notably meeting the beautiful young Hermine who can be considered in a number of ways as Harry's double his doppelgänger; as a reflection of Harry's inner spiritual self; or as a Jungian archetypal female part of his psyche his `anima'Hesse wrote Steppenwolf fresh from his own Jungian psychoanalytic experience Indeed Hesse plays with the idea of doubles mirrors and archetypes throughout this novel Harry's world is further jazzed up with the entrée of jazz saxophonistshape shiftersensualist Pablo and the beautiful and voluptuous Maria Jazz dancing drugs and sex all contribute to the death of the formerly old and depressed Harry transforming him into a revitalized man poised for a full range of experiences at the much anticipated masked ballThe masked ball is the final section of the novel In one of the inner rooms Harry encounters the Magic Theater which enlarges any previous notions he might have held of both magic and theater Harry is informed that there is a definite admission price to this theater PRICE OF ADMISSION YOUR MIND Pablo explains to Harry how the theater has as many doors and boxes as one pleases ten or a hundred or a thousand and how behind each door exactly what you seek awaits youWild And as we enter and move through the Magic Theater things become progressively wilder Recall how Timothy Leary encouraged users of LSD to consult this part of Hesse's novel as a manual to negotiate their hallucinogen induced trips Hesse would probably have objected to Leary's statement He wrote in 1961 it seems to me that of all of my books Steppenwolf is the one that was often and violently misunderstood than any other and freuently it is actually the affirmative and enthusiastic readers rather than those who rejected the book who have reacted to it oddlyOn this point I agree with Hesse you need not take LSD to enter The Magic Theater; what you really need is openness and imagination along with the willingness to courageously peer into the subconscious and unconscious areas of your own psyche If you have a few decades of adult experience as Hesse evidently hopes so much the better

  7. Ahmad Sharabiani says:

    684 Der Steppenwolf Steppenwolf Herman HesseOriginally published in Germany in 1927 it was first translated into English in 1929 Combining autobiographical and psychoanalytic elements the novel was named after the German name for the steppe wolf The story in large part reflects a profound crisis in Hesse's spiritual world during the 1920's while memorably portraying the protagonist's split between his humanity and his wolf like aggression and homelessnessعنوانها گرگ بیابان؛ گرگ بیابان بانضمام بازخوانی و تفسیر انتقادی؛ نویسنده هرمان هسه؛ انتشاراتیها بنگاه ترجمه و نشر کتاب اساطیر، ارغوان، فردوس، علمی فرهنگی، جامی؛ تاریخ نخستین خوانش ماه ژوئن سال 1974 میلادیعنوان گرگ بیابان؛ هرمان هسه؛ مترجم کیکاووس جهانداری؛ چاپ دیگر تهران، بنگاه ترجمه و نشر کتاب، چاپ دوم سال 1346 ؛ نخستین چاپ در نشر اساطیر 1368؛ در 368 ص؛ شابک 9645960320؛ چاپ دوم 1376؛ شابک 9645960320؛ چاپ سوم 1383؛ چاپ چهارم 1388؛ چاپ دیگر تهران، علمی فرهنگی، 1394، در سی و هشت و 346 ص؛ شابک 9786001215728؛ موضوع داستانهای نویسندگان آلمانی سده 20 ممترجم مرتضی ملکی؛ تهران، نشر ارغوان، 1362؛ در 293 ص؛عنوان گرگ بیابان بانضمام بازخوانی و تفسیر انتقادی؛ مترجم قاسم کبیری؛ تهران، نشر فردوس، 1368؛ در 383 ص؛ چاپ سوم 1376؛ چاپ چهارم 1383؛ شابک 9645509076؛ چاپ پنجم 1387؛ شابک 9643202712؛ چاپ ششم 1389؛ شابک 9789643204471؛ چاپ هشتم 1394؛ مترجم وحید منوچهری واحد؛ تهران، جامی، 1391، در 232 ص؛ شابک 9786001760778؛ گرگ بیابان نخستین بار در سال 1927 میلادی، در آلمان منتشر شد، و نخستین بار در سال 1929 میلادی به زبان انگلیسی ترجمه شد؛ نویسنده ی نامدار در این اثر، عناصر اتوبیوگرافی، و روانکاوی را، با هم ترکیب کرده، بخشی از رمان، بحران ژرف روحی هرمان هسه را، با تصویر کردن شکاف بین انسان بودن ایشان، و رفتار پرخاشگرانه و بی خانمانی خویش، همانند یک گرگ را، در طی دهه 1920 میلادی، به خوانشگر مینمایاند، و نقل از متنیکی بود، یکی نبود، مردی بود به نام هاری، ملقب به گرگ بیابان، روی دو پا راه میرفت، لباس میپوشید و انسان بود، اما با این اوصاف در واقع یک گرگ بیابان بود از چیزهایی که مردمان فهمیده میتوانند بیاموزند، چیزها آموخته بود، و آدمی به نسبت باهوش بود آن چه را فقط او یاد نگرفته بود، این بود که رضایت خاطر را در وجود خویش و زندگی خویش جستجو نماید پایان نقل از صفحه 67؛ ا شربیانی

  8. Greta says:

    Harry Hermine Hesse On the surface Harry Haller seems like a respectable educated man But he feels like there is a second side to him Internally he feels alienated from society strange and wild uiet like a Steppenwolf As he is drawn into a series of hallucinatory and magical encounters among others with the beautiful and young Hermine Haller discovers a higher truth and the possibility of happiness The Steppenwolf Harry Haller Harry believes his character to be divided in two extremes a man half and a wolfish halfHarry Haller is a characterization of Hermann Hesse himself his age profession intellectual interests and unpopular pacifist journalism match those of Hesse Haller was once a public intellectual that has lost his job family and home and now lives in isolation brooding by day and haunting taverns by night He refers to himself as a “Steppenwolf” because he feels like a lonely wolf of the steppes removed from the obsessions and conventions common to most people Harry believes himself to be divided between two extremes a man half who shares the ideals and interests of humanity culture society and love and a beast half that sees those aspirations as futile absurd vanities yearning for savagery and isolationHermine The lovely sexual and sensual HermineBut when Harry meats the lovely and sensual Hermine she teaches him how to live a full life putting him in touch with his long ignored wild side drugs and sexual urges Hermine is Harry’s opposite but also his close double He meets her through a surreal and magical incident which is why it‘s clear from the beginning that Hermine is something than a realistic character Gradually it becomes evident that Hermine is actually a part of Harry and when Harry kills her her body shrinks to the size of a figurine Although it is never clear whether Harry murders Hermine or merely a hallucination of her the novel’s closing words suggest that Hermine has always been only a reflection of him She serves as Harry’s magic mirror making those parts of him visible he previously had been blind to By meeting her he starts a journey away from rebellion and despair because she shows him that he has far than two souls in his breast and that he has to let all of them develop Once Harry learns to see himself clearly he effectively destroys HermineMultiple Identities and Schizophrenia Reality and Illusions are interleaved the reader hardly can tell between hallucinations and actual happenings The entire novel is full of surreal situations and encounters as a result of hallucinations without making it clear to the reader where reality ends and hallucination starts Harry has multiple personalities and the idea that Harry is composed of these two selves is useful in theory but can‘t capture the complexity of reality which is why Harry realizes that he consists of countless selves not just of two The idea of split personalities and hallucinations comes very close to schizophrenia Hesse himself experienced a deeper life crisis and depression due to the death of his father the serious illness of his son and his wife's schizophrenia He committed himself into a mental institution and received over two hundred hours of psychotherapy under Carl Jung This was the start for Hesse's long preoccupation with psychoanalysis and challenged him to develop new creative heights Drawing upon the psychoanalytic theories of Jung Hesse uses the Steppenwolf to present a personal hypothesis of the nature of the soul as consisting of multiple self‘sSuicide The chronically suicidal Hermann HesseSuicide might be the most important topic of the novel as Haller freuently battles with the thought to kill himself and extensively philosophizes over it‘s nature This draws close on Hesse‘s personality who set himself the deadline of his 50th birthday to decide whether or not to kill himself He had tried it before when he was 14 years old wrote a suicide note and bought a rusty revolver which led him to be put away in a mental institution To have the prospect of death clearly in sight and to admit the possibility of suicide was liberating for him He wrote the novel after the failure of his first and second marriage living an isolated life reaching suicidal depths of despair Even though Hesse was rather shy and felt most comfortable at home he had gone on something of a self destructive socializing excess freuenting the bars and dance halls just like Haller He fell into alcoholism and spent most of his nights writing self pitying poems which offer a painfully honest record of Hesse’s alcoholism suicidal tendencies and sense of mental and physical estrangement The Steppenwolf picks up on all of these topics well drafted in Haller‘s split personality hallucinations and chronic suicidality “There is no reality except the one contained within us That is why so many people live such an unreal life They take the images outside of them for reality and never allow the world within to assert itself” With its generous helpings of sex and drugs its dark urban isolation and attacks on bourgeois life Steppenwolf is a book about – but ultimately against – suicide Just brilliant in my opinion

  9. Darwin8u says:

    “There are always a few such people who demand the utmost of life and yet cannot come to terms with its stupidity and crudeness” ― Hermann Hesse Steppenwolf There is this bourgeoisie period in every man's life A midpoint between birth and death where man is trapped alone Unable to exist in the hot or cold of the absolutes he tries to find his way between the extremes in the comfortable center Fearing life and death he just |exists| barely This is not a novel for the young Just like it is better to save King Lear for later in one's life it is better to save Steppenwolf for those crisis years of the midlifeHesse's novels seem to flirt between the edge of memoir scripture prose poem and Eastern philosophy tract This isn't a book you want to read in a hot bath with scotch in one hand and a razor blade in the other You will either spill your drink or spill your blood or lose every printed word; the hot water erasing pages and pickling your fingers toes and time

  10. David Schaafsma says:

    for madmen onlyIn league with Pessoa’s Book of Disuiet and Dostoevsky’s Raskolnikov Hermann Hesse’s Steppenwolf is about a suicidal guy who never actually commits suicide a tortured soul who struggles with the dualism of his nature from the human to the wolf from the classical to the romantic to the spiritual to the sinful from the life of the mind to the life of the body I read this three times when I was 18 20 trying to understand it trying to find elements that would help shape my personality my image as buddingwannabe Artiste in all my adolescent angst “You were such a happy baby; what happened?” my mother said to me once during this brooding period when I was reading everything from Dostoevsky to Rimbaud to Malcolm Lowry’s Under The Volcano and Camus and Sartre and yes every Hesse book I could get my hands on Steppenwolf was written by Hesse at middle age looking back on his struggle between the coolly distant Germanic aesthetic and the sensual Buddhism In my late teens all the Christians I knew including me were reading Zen Buddhism and Hesse helped us bridge the strict Calvinism we wanted to be free from and the East we found attractive less restrictiveHarry Haller writer and reader of many books an intellectual is contemplating suicide on his 50th birthday Melancholy dumped by his wife he sees himself as a “wolf of the steppes” half human half wolf He hates modern society He’d rather read Goethe and listen to Mozart than go to a party and listen to modern jazz or make small talk His nephew sees him as a genius of suffering which seems about right He’s born to be wild separate from societySteppenwolf’s “Born to be Wild” peddler gives Steppenwolf a pamphlet entitled Treatise on the Steppenwolf He meets a woman Hermione in a bar; she mocks him for his self obsession and introduces the aging intellectual—through other women—to the life of the body to dancing to cocaine to wine to sex The sensual Meaning women basically Men Rational the life of the mind Women Sensual physical There’s almost no dialogue in this book but for certain women mostly play a central role; they don’t talk much the me do most of the talking but they are a central shaping forceSteppenwolf’s “Magic Carpet Ride” Steppenwolf visits a Magic Theater which in the sixties might have been seen as a place for psychedelic experimentation because it is there that Harry experiences dreams and nightmares Emerging out of this with Rosa Harry ultimately finds he needs to lighten up He needs to laugh and enjoy life and society So that’s the heart of the book Step embracing Mozart’s The Magic Flute and love of life rejecting the suicidal isolation of Goethe’s The Sorrows of Young Werther Plato Spinoza and Nietzsche get referenced along the way too I guess it can be seen as a novelistic reflection on the divided selfThere’s not much of an actual story here It’s an internal philosophicalspiritual novel which feels like allegory and perhaps autobiography to tell you how to stop brooding and embrace life I can see in reading this why a man—in particular a man because it was written by a man with men as his primary audience I think—in his late teens or middle age might embrace this I liked it less than I did when I was in my teens but it surely has a kind of intense appeal Oh and my mom came to see I also got out of that brooding phase and lightened up too

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