A Streetcar Named Desire

A Streetcar Named Desire[Reading] ➶ A Streetcar Named Desire Author Tennessee Williams – Heartforum.co.uk The Pulitzer Prize and Drama Critics Circle Award winning play—reissued with an introduction by Arthur Miller Death of a Salesman and The Crucible and Williams’ essay “The World I Live In”It i The Pulitzer Prize and Drama Critics Circle Award winning play—reissued with an introduction by Arthur Miller Death of a Salesman and The Crucible and Williams’ essay “The World I Live In”It is a very short list of th century American plays that continue to have the same power and impact as A Streetcar PDF/EPUB ² when they first appeared— years after its Broadway premiere Tennessee Williams’ A Streetcar Named Desire is one of those plays The story famously recounts how the faded and promiscuous Blanche DuBois is pushed over the edge by her sexy and brutal brother in law Stanley Kowalski Streetcar launched the careers of Marlon Brando Jessica Tandy Kim Hunter and Karl Malden and solidified the position of Tennessee Williams as one of the most important young playwrights of his generation as well as that of Elia Kazan as the greatest American stage director of the ’s and ’s.

Thomas Lanier Williams III better known by the nickname Tennessee Williams was a major American playwright of the twentieth century who received many of the top theatrical awards for his work He moved to New Orleans in and changed his name to Tennessee the state of his father's birth Raised A Streetcar PDF/EPUB ² in St Louis Missouri after years of obscurity at age he became famous with the success of.

A Streetcar Named Desire PDF/EPUB é A Streetcar
  • Paperback
  • 107 pages
  • A Streetcar Named Desire
  • Tennessee Williams
  • English
  • 14 November 2016
  • 9780822210894

10 thoughts on “A Streetcar Named Desire

  1. Lyn says:

    “He is of medium height about five feet eight or nine and strongly
compactly built Animal joy in his being is implicit in all his movements and attitudes Since 
earliest manhood the center of his life has been pleasure with women the giving and taking of it
 not with weak indulgence dependency but with the power and pride of a richly feathered male
bird among hens Branching out from this complete and satisfying center are all the auxiliary 
channels of his life such as his heartiness with men his appreciation of rough humor his love of 
good drink and food and games his car his radio everything that is his that bears his emblem of 
the gaudy seed bearer He sizes women up at a glance with sexual classifications crude images 
flashing into his mind and determining the way he smiles at them”Stanley Kowalski is the male euivalent of Faulkner’s Dewey Dell who proclaims “I feel like a wet seed wild in the hot blind earth” Here is raw primal lustful sexuality that pulses and seduces a reader or audience“Stell lahhhhh’”The poker scene was made famous by Brando’s performance and Kazan’s brilliant direction but before the 1951 award winning film was Tennessee Williams’ masterful scene of primitive love and attraction“I’ve always depended on the kindness of strangers”Blanche DuBois is an archetypal feminine tragic figure on the literary scale with Hemingway’s Lady Brett But whereas Brett is the domineering tyrannical alpha female Blanche’s contribution to our dramatic culture is of the damaged broken woman heir to an inheritance that is literally and metaphorically lostTennessee Williams New Orleans play with the “blue piano” and polka music playing in the background is one our most powerful dramasA must read but like all plays it must also be seen 2018 I watched the 1951 film recently and was again amazed at the theatrical tension the play produces especially when acted out by such talented actors Interestingly and sadly Vivian Leigh who suffered from bipolar disorder later in life had trouble distinguishing her real life from that of her character Blanche DuBois Also Leigh was paid than Brando for her performance Both had previously played these roles on the stage

  2. Brina says:

    It is the steamy summer in New Orleans in the late 1940s Old war buddies have gone to their weekly bowling league after work Meanwhile young brides pass the time in their two flat apartment while waiting for their husbands to return It is amidst this backdrop that begins Tennessee Williams' classic play A Streetcar Named Desire which still stands the test of time today and became a classic film featuring Marlon Brando and Jessica Tandy This steamy play ran the gamut of human emotions and for this I rate it 4 stars Tennessee Williams introduced the world to characters who have become archetypes for the post war 1940s Stella Kowalski a young bride expecting her first child who is very much in love with her husband and submits to his every want and need Her husband Stanley Kowalski a war veteran working in a supply company to provide for his wife and still feeling the need to gather with the men bowling or playing poker after work Harold Mitchell Mitch the bachelor son who looks after his sickly mother And of course the sultry Blanche DuBois Stella's sister of an undetermined age the independent modern woman who also has a myriad of problems Blanche DuBois fresh off of another failure has taken a streetcar named Desire to spend the summer with Stella and Stanley Kowalski in their one bedroom apartment Heightened sexually whereas Stella is submissive there is obvious tension between Blanche and Stanley from the beginning with Stella acting as a go between Not only is there tension Stanley immediately sees beyond Blanche's gaudy clothes and jewelry and sets out to investigate her past With only a sheet separating their living arrangements in a sweltering summer the tension continues to escalate throughout the play As Stanley discovers layer upon layer of Blanche's past Stella is forced to choose between her dominate husband and sister While very much in love with her husband as she points out she still feels a loyalty to her sister and to her past She is appalled when her husband reveals that Blanche compromised her role as high school English teacher to engage in inappropriate relationships with her students If this play had taken place thirty years later I can believe that Stella would have done some digging of her own to clear Blanche's name Yet it is clear that Stella's loyalties lie with her husband and that what makes the denouement of the play all the shocking for me as I am sure it did for many others as well Tennessee Williams went on to have a hall of fame career as a playwright including the classics Cat on a Hot Tin Roof and The Glass Menagerie which have been performed hundreds if not thousands of times over the years He also was ahead of his time in Desire by discussing social issues such as homosexual relationships domestic violence and a woman's monetary independence from her husband While not my absolute favorite play A Streetcar Named Desire introduced classic characters and I look forward to seeing them portrayed on film

  3. emma says:

    WhoaI did not consume this play as I was intended to I mean honestly you're not supposed to read a play Tell that to any high school English teacher ever but still Tennessee Williams didn't write this like Hopefully in sixty years a girl will read this alone in her room in one sitting so she can fulfill her goal of reading a classic every month That's not his idealThat being saidTHIS MADE ME FEEL SO MUCHA play is supposed to be acted obviously Reading it leads to a less emotional rendering with less full characters in an imagined version of what is supposed to be a concrete setting It's a lesser experience like reading a screenplay Cough cough fck you JK Rowling coughAnd still this was incredible Blanche and Stella and Mitch were heart rending There's so much tension here and the revelations and the moments of climax and action are just unreal I don't even know what to say beyond whoaGuess I should've stopped this review after the first wordBottom line FANTASTIC FANTASTIC FANTASTIC This reading a classic a month thing is the best thing I'm doing this year

  4. Ahmad Sharabiani says:

    A Streetcar Named Desire Tennessee WilliamsA Streetcar Named Desire is a 1947 play written by American playwright Tennessee Williams that received the Pulitzer Prize for Drama in 1948 The play opened on Broadway on December 3 1947 and closed on December 17 1949 in the Ethel Barry Theatre The Broadway production was directed by Elia Kazan and starred Jessica Tandy Marlon Brando Karl Malden and Kim Hunter The London production opened in 1949 with Bonar Colleano Vivien Leigh and Renee Asherson and was directed by Laurence Olivier The drama A Streetcar Named Desire is often regarded as among the finest plays of the 20th century and is considered by many to be Williams' greatest After the loss of her family home Belle Reve to creditors Blanche DuBois travels from the small town of Laurel Mississippi to the New Orleans French uarter to live with her younger married sister Stella and brother in law Stanley Kowalski Blanche is in her thirties and with no money she has nowhere else to go Blanche tells Stella that she has taken a leave of absence from her English teaching position because of her nerves which is later revealed to be a lie Blanche laments the shabbiness of her sister’s two room flat She finds Stanley loud and rough eventually referring to him as common Stanley in return does not care for Blanche's manners and dislikes her presence تاریخ نخستین خوانش ماه نوامبر سال 2003 میلادیعنوان اتوبوسی به نام هوس؛ نویسنده تنسی ویلیامز؛ مترجممرجان بخت مینو؛ تهران، مینو، 1381؛ در 159ص؛ شابک 9649056386؛ موضوع داستانهای نویسندگان امریکایی سده 20ماز این کتاب الیا کازان فیلمی با بازی «ویوین لی» و «مارلون براندو» ساخته است که در سال 1951میلادی به نمایش درآمده؛ بلانش دی بویس ویوین لی دردسرهایی داشته، او پس از اخراج از مدرسه‌ ای که در آن تدریس میکرده، برای دیدار خواهرش استلا کیم هانتر و شوهر خواهرش استنلی کووالسکی مارلون براندو می‌رود؛ استنلی که یک قمارباز است و از بدو ورود بلانش، سر ناسازگاری با وی را میگذارد، و از طریق یکی از دوستانش از گذشتهٔ بلانش باخبر می‌شود و ؛ نقش‌ها مارلون براندو در نقش استنلی کووالسکی؛ ویوین لی در نقش بلانش دی بویس؛ کیم هانتر در نقش استلا کووالسکی؛ کارل مالدن در نقش هارولد میشل؛ رودی باند در نقش استیو هابل؛ نیک دنیس در نقش پابلو گونزالس؛ ا شربیانی

  5. Elle (ellexamines) says:

    Okay first of all may I just say you should see the movie before you read the book The thing about this play is that it absolutely relies on tension And that tension is absolutely there in a uality rendition of this show But it is not conveyed on page Likewise most of Blanche’s character is in her nuance in the subtext of each scene where she acts nervous and worried and in how she is framed and in her fear and turmoil In a character like this a character full of ambiguity and hurt and angst how could an on page rendition be so sympathetic? How could she gain your sympathies despite her flaws? The answer is that she doesn’t Until you see the movie and she breaks your fucking heartHonestly I think there is a lot to be said about this play and its connection to the downfall of Southern white life wow we have read about that a lot in AP Lit this year There is also a lot to be said about its occasionally weird gay subtext there’s some explicit text that the movie cuts because homophobia but also the fact that this is essentially a love triangle between a woman’s husband and her sister? Which is something the movie plays up um kind of a lot There’s a scene framing the two sisters as Hollywood lovers and it is weird Also I’d like to point you all to the comment underneath this status stating that Stanley is a caricature of a straight man and Tenesee Williams just doesn’t understand straight men because holy shit that is the funniest thing I have ever readBut honestly I think explaining the subtext wouldn’t be the best decision either for spoiler purposes a lot of the thematic stuff is pretty easy to understand or for my mental health I am running off far too little sleep and I don’t think this review is coherent probably What I will say is that you should see the movie and then read the play and compare the two and that I really liked this It made no impact on me when I read it but it's worth the watch

  6. Candi says:

    45 starsTragic raw and suffused with striking imagery and symbolism this play is a must read and now one that I must also see Williams does a tremendous job of evoking the atmosphere of New Orleans during the 1940's – the music the heat the people The prose is lyrical and truly astonishing at times I felt as if I were a participant in each and every scene The sky that shows around the dim white building is a peculiarly tender blue almost a turuoise which invests the scene with a kind of lyricism and gracefully attenuates the atmosphere of decay You can almost feel the warm breath of the brown river beyond the river warehouses with their faint redolences of bananas and coffee The vibrant and luckless Blanche DuBois arrives on a streetcar named Desire to inhabit the cramped and close uarters of her sister Stella and her husband Stanley Kowalski Blanche's duplicitous nature makes for an intriguing character study The uiet and reserved Stella is the complete opposite of her sister She shares a passionate relationship with Stanley who is perfectly characterized by Williams Animal joy in his being is implicit in all his movements and attitudes Since earliest manhood the center of his life has been pleasure with women the giving and taking of it not with weak indulgence dependently but with the power and pride of a richly feathered male bird among hensThe atmosphere immediately turns stifling and the tension uickly escalates as the three lives intersect and collide Unfamiliar with this play I was surprised at the heavy themes in particular those of domestic violence and mental illness This play felt very real and human extremely powerful and ultimately uite heartbreaking

  7. Carol says:

    It's the late 1940's and I could visualize the setting of the New Orleans French uarter love it and hear the jazzy blues music playing thru the window as Tennessee Williams brings to life the characters of a very well built Stanley his better half Stella and her delusional whiskey drinking southern belle of a sister Blanche who is in town for an extended visitWith two women and one hot tempered suspicious man in a dinky one bedroom flat trouble starts brewing at the onset and never lets up until the ill fated end Whoever you areI have always counted on the kindness of strangers As a first time read for me the story behind A STREETCAR NAMED DESIRE was a complete surprise as were the multitude of controversial subject matters often understated in presentation throughout the play but stillA powerful and emotional drama Loved it need to get my hands on a copy of the film version with Brando and Leighfast

  8. David Schaafsma says:

    I don't want realism I want magic Yes yes magic I try to give that to people I misrepresent things to them I don't tell the truth I tell what ought to be the truth—Blanche DuBoisOne of the great plays of the American theater probably the very best Tennessee Williams play acted first on Broadway by Marlon Brando Stanley Kowalski Kim Hunter Stella Kowalski and Blanche DuBois Jessica Tandy and it is riveting I listened to a version of it with James Farentino as Stanley and Rosemary Harris as Blanche also very good More disturbing than I ever recalled passionate shocking sad full of sizzling southern summer heat and sweat and desireMarlon Brando yelling “Stella” is an animal a sexual animal uncouth works hard bowls play cards drinks hard married to Stella who was formerly from a genteel upper class family Blanche arrives after having lost her inheritance the estate Belle Reve having been fired as a teacher for a dalliance with a student and recently kicked out of a low rent tenement house but she arrives to visitstay with her sister and brother in law dressed as the southern belle she once was trying to convince them and her friends and maybe herself of the illusion that she never uite left her fine “cultured” life It is tempting to think of this play as a commentary on American masculinitysexuality class of the struggle between the “refined” Southern aristocracy and the “barbaric” working class and there’s some evidence for all thatStanley and Blanche meet the play visceral lyrical tragic deeply sad and I warn you now for a second time in a couple places disturbing pushes back against any easy definitions or interpretationsBlanche DuBois at the end “I have always relied on the kindness of strangers” image you are left with is Blanche a woman in financial ruins—her beautiful young husband had turned out to be gay she lost her inheritance she'd been a victim of scandal and now she is simply trying to seek help from her sister out of options She's a single woman without property she's fragile and vulnerable she's aging and her attraction to men crucial in this time because she has no money is fading she's possessed by delusions of grandeur and yet she possesses some strength some spirit you admire than just pity as she fights for a place in an often threatening male world that blames her for her vulnerability And seeing it is always better of course but I recommend seeing the Brando film version of course Amazing literary experience that will never leave you

  9. Alex ✰ Comets and Comments ✰ says:

    “They told me to take a streetcar named Desire and then transfer to one called Cemeteries and ride six blocks and get off at Elysian Fields” There is a certain high you feel when you read a classic It's not one that can be repeatable or interchangeable It attaches on to you and if it's good enough It might never leave your system Enter our setting New Orleans in the late 1940s post second world war and the American Dream is thick in the atmosphere Jazz and sex and booze and gambling run wild on the streets Enter our characters Stanley Kowalski Stella and Blanche DuBois All three damaged and broken All three deliciously raptured in our plot Enter our Story Their worlds are about to take a 360 degree turn when emotion the summer heat lust manipulation cleverness but mostly desire come alive and off the pages written by Tennessee Williams Touch Anyone who picks up A Streetcar Named Desire knows they are going to be in for a story beyond the story The writing screams hidden metaphors and imagery that makes you want to dance with Blanche play poker with Stanley cry with Stella and be apart of the gang under New Orleans moon The story was palpable It felt like I could touch the characters hearts and minds and it would be okay because they would let me because Tennessee crafted the story in a way that those who are patient and would allow the characters to touch your hearts It could work the other way around too Smell There's a certain warmth you have when you come down to your moms cooking or it's Saturday morning and you can smell breakfast downstairs The atmosphere that surrounded me throughout reading this script was electric it smelt like warm bread and then changed to whiskey filled game nights There was never a still moment in the world we step foot in Taste There are so many different types of desire and lust I could taste all of them in this play It was as if each had a distinct flavour and every time a conflict occurred in the plotline I felt it I think the manner that Williams approached many different aspects and issues in this book was so strong and relative to the time that this play was published in This was a time when being in the LGBT community was considered a crime that could be punished and a psychological disease that could be treated This was a time when being a 'southern belle' was the only way to be accepted as a woman This was a time when domestic abuse was considered normal and just part of the marriage I could go on and on and list the different themes that this story approached but I'm just going say that there was not a single tasteless moment in this play It may have been bitter or sweet or even sour But never tasteless Hear New Orleans in the 1940's and this novel both have the same tune that plays back The Blue Piano the jazz the love the instability the desire It was a melody that played back and played loud through and through Their was a powerful voltage that rang through the soundtrack and it was like every time you get close you get an electric shock that makes you alive inside and even though you know it's bad to like it You want Sound like a high yet? See When you think of desire what comes inside your head?

  10. David says:

    There's a sort of invisible thread from Madame Bovary to A Streetcar Named Desire which in its route gets tied up in a hot whorehouse and wraps vainly around the cosmetics section of a pharmacy in the Southern United States before knotting at its terminus in New Orleans I find it almost criminal how often people mistake Blanche duBois' whimsy for female frailty for I think she is an almost unnaturally strong character; far far so than her timid sister Stella Perhaps it is because her foil and diametric opposite Stanley is so much so the iron casting of masculine strength and violence that make Blanche seem to the readerviewer so relatively weak But the play is dominated by the very different strengths of these enormous characters Stanley's violent force and Blanche's imaginative powerBlanche like her French bourgeois predecessor Emma Bovary has an old fashioned ideal of romance which she cannot reconcile with her amorous experiences Unlike Emma Blanche has a much sordid history and as a result has become the battleground between her vain illusions and her knowing disillusionment Having fallen in love with a gay boy in her youth who subseuently died she sought love in the many men of the local army camp living a prostitute's kind of life and even had an affair with a young male student until she lost her family estate Belle Reve presumably from belle rêve french for beautiful dream and appropriately a common name for sanitariums along with belle vue which she lost to debtors Blanche's world her home her job her love or search therefor everything she loses and flees her soiled reputation to live with her sister Stella and her husband Stanley Kowalski She has a passionate imagination which is her last remaining crutch of her fragile sanity “I don't want realism I want magic Yes yes magic I try to give that to people I misrepresent things to them I don't tell the truth I tell what ought to be the truth And it that's sinful then let me be damned for it” Her desperation for romance for magic in her life is the only avenue remaining for her escape That's what Streetcar Names Desire is about escape Escape from the shameful past drinking to escape from the dully painful present and escape from the violent future Blanche eventually retreats fully into her own self delusions of romantic escape when her past creeps unexpectedly into the presentThe story of Stella and Stanley is a time creep of the opposite orientation Stella is made aware of the dangers and disturbances of a future with Stanley by the mistreatment of her sister Stella sheds her luxurious tears at the the curtain close as a rueful acknowledgement of the tension between reality and illusion While she cannot fully believe Blanche's story she cannot bring herself to fully deny it either Her vision of Stanley of her sister and of her life spread out ahead of her are forever changed by what has transpired Though she stays with Stanley her relationship with him is tainted with something of mistrust and fearIllusion in the play the main funhouse mirror is the illusion of appearance Everything has a surface and an interior and there is a struggle a contradiction between the veneer of appearance and the truth of substance Blanche becomes obsessed with her appearance rather than reconciling herself with the maelstrom of emotion and fear which boils beneath the surface she suffocates her own Self by the feint play of her made up appearance She has an imagination which approaches prolepsis in its improvisational fervor She always has a lie a fraud a gloss over for the truth which is black inside of her She is fearful of the light which not only shows her aging appearance signs of aging she she cannot cover up but is also symbolic for the truths which are rising like slag to the surface revealing the cold worn metal beneath What she cannot escape is that the world does not have the magic which she seeks the most powerful force around her is truth and it is truth which she feels she needs to escape The tension between truth and magic eventually destroys her psycheFor Stanley escape illusion is obtained through vice drinking gambling domestic abuse and violence His fears of incompetence and undeserving are evaded through his violent actions which both evade uestioning yet also show his hand He is mirrored man to Blanche and she the revealing pier glass to him Because they are so opposed they reveal the truths in each other's characters Stanley's violence is incompatible with Blanche's romantic visions of the world particularly her vision of men In Stanley she seems a savage character almost like the stock ruffian of a Spanish romance but one which is violent even to her which is violent in its uncovering of her secrets one which is deliberately cruel This deliberate cruelty on the part of Stanley is something which Blanche finds the only thing not forgivable and the only thing which has the true power to shatter her war worn illusions For Stanley Blanche represents the world which shares his wife but which he fears has a stronger atavistic claim on her He can never offer Stella money or blissful security he can never offer her culture Blanche is the very manifestation of these ideals and her romantic vision of the world is alluring to all around her her imaginative power is a danger to Stanley's marriage because it is a reminded to him and to Stella of the kind of life which they can never have with each other They told me to take a street car named Desire and transfer to one called Cemeteries and ride six blocks and get off at—Elysian Fields Desire and death the only ways to reach paradise

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